The CUET Performing Arts 2025 exam was held from 13th May to 3rd June, and students can able to download the question paper, answer key, and solution PDF here. The paper tested knowledge of financial accounting, partnership accounts, company accounts, and analysis of financial statements.
Students had to attempt 50 questions in 60 minutes, totaling 250 marks, with +5 for each correct answer and –1 for each incorrect one
CUET UG Performing Arts 2025 Question Paper with Solutions PDF
Read the passages below and answer the questions that follow.
Passage 1: Prabandh As Sarangadeva describes in his book ”Sangit- Ratnakar”, Prabandh had two prime forms, namely Nibaddha gana and Anibaddha gana. The components of Prabandh is called as Dhatu. There are four Dhatus or parts of a Prabandh. The first one is called Udgraha, the second is Melapak, third is Dhurva and Fourth is Abhog. There is another part called Antra which was not essential to Prabandh. It was inserted in between the Dhruva and the Abhoga in a particular variety of Prabandh. Prabandh also has six Angas: 1. Swara, 2. Viruda, 3. Pada, 4. Tenak, 5. Paat, 6. Tala. The Prabandh has five Varieties or Jatis namely: Medini, Anandini, Dipani, Bhavani, and Taravali. The Jati having all six Angas is known as Medani, the jati having five Angas is known as Anandini, the Jati having four Angas is known as Dipani, the Jati having three Angas is known as Bhavani, the Jati having two Angas is known as Taravali.
Question 1:
Number of Dhatus in Prabandh:
Question 2:
Number of Angas in Prabandha ?
Question 3:
Taravali is one of the....
- (A) Jati of the Prabandh
- (B) Anga of the Prabandh
- (C) Dhatu of the Prabandh
- (D) Part of the Prabandh
Question 4:
The Jaati of Prabandh having three Angas is known as:
- (A) Medini
- (B) Taravali
- (C) Dipani
- (D) Bhavani
Question 5:
Number of Jatis in Prabandh:
Passage 2: Mohiniyattam
Mohiniyattam, literally Dance of the Enchanttress, has its seeds in the deep past of Kerala. Its present form, designed exclusively for the female dancer, is however, a recent creation inspired by the living matrix of Kerala’s social ensemble dances performed on festive occasions like Kaikottikali and Thiruvathirakali, and Nangyar Kootu, The female component of the highly stylized Kudiyattam, a souviour of Sanskrit theatre. The word, Mohini, occurs in an eighteenth-century Malayalam commentary of the Vyavah¯aram¯ala composed two hundred years earlier by Mazhamangalam Narayanan Nambudiri. Much later, the creator of Ottam Thullal, Kunjan Nambiar in his Goshayatra mentions Mohiniyattam. Reformer Vallathol traced the dance right down to the days of the Silappadikaram because of the definite reference to Kerala’s Chakyars while scholars like Pisharoti believed the dance had a six hundred-year-old history. Kalyanikuttyamma, Kunjukuttyamma, Kanak Rele are some of the great dancers of Mohiniyattam.
Question 6:
`Mohiniyattam' literally means?
- (A) Dance of Mayura
- (B) Dance of Enchanttress
- (C) Dance of Devadasi
- (D) Dance of Gopikas
Question 7:
Mohiniyattam is a.....
- (A) Folk dance
- (B) Tribal dance
- (C) Ritual dance
- (D) Classical dance
Question 8:
Koodiyattam is a ................
- (A) Tamil Theatre form
- (B) Malayalam Theater form
- (C) Sanskrit Theatre form
- (D) Classical form
Question 9:
The 'Vyavaharamāla' is a .....
- (A) Malayalam commentary
- (B) Telugu commentary
- (C) Sanskrit commentary
- (D) Tamil commentary
Question 10:
Who is the creator of Ottam Thullal?
- (A) Kalyanakuttyamma
- (B) Kunjan Nambiar
- (C) Kunjukuttyamma
- (D) Vallathol
Read the passage below and answer the questions that follow.
Passage: Percussive Musical Instruments of India
India is very rich in the number and variety of musical instruments. From time immemorial, musical instruments have been connected with various Gods and goddesses according to mythology. Musical Instruments have been classified into Thata, Avanadha, Ghana and Sushira. We came across this classification first in Natyashastra. Thata variety, is an instrument with strings and played by plucking or bowing. The instruments like Veena, Sitar, violin, Sarangi etc. come under this category. The Avandha variety are instruments with skin-covered heads, and are played by beating on both sides or one side. Mridangam, Pakhawaj, Tabla etc. come under this category. Ghana vadyas are those made with metal content. Manjira, Ghatom etc. are some of the examples of Ghana Vadya. Sushira Vadya are those instruments with holes and make the sound by blowing air through the holes. Flute, Nagaswaram, Saxophone, Clarinet are some of the examples.
Question 11:
In which musical text, four varieties of instruments are mentioned first?
- (A) Purana
- (B) Natyashastra
- (C) Brihaddesi
- (D) Sangita Ratnakara
Question 12:
Goddess Saraswati is associated with which instrument?
- (A) Violin
- (B) Flute
- (C) Veena
- (D) Mridangam
Question 13:
Mridangam comes in which category of instrument?
- (A) Thata
- (B) Avanadha
- (C) Ghana
- (D) Sushira
Question 14:
Select one Ghana Vadya from the following
- (A) Mridangam
- (B) Pakhawaj
- (C) Ghatam
- (D) Tabla
Question 15:
Select one Sushira vadya from the following.
- (A) Manjira
- (B) Dilrooba
- (C) Violin
- (D) Nagaswaram
Read the passage below and answer the questions that follow.
Passage: The Darsanams of the Gosangi
Over the costumes, Gosangi wears various objects made up of leather, shells, metal and threads as ornaments. Traditionally, the prominent among them is known as Darsanam-s, which literally means vision or suggesting that which is visible. There are altogether seven Darsanams, which can be neither considered as costumes nor ornaments. But, for an outsider, they may look like ornaments. The first Darsanam that Gosangi wears,cover chest and the back. This is traditionally identified as Rommu Darsanam or Sanku Darsanam. The second one is tied around the neck and called as Kanta Darsanam. The third and fourth ones are tied around the arms of left and right hands. The fifth and sixth ones are tied to the left and right wrists. (For these specific names are mentioned by the performers). The seventh one is known as Siro Darsanam, and it is tied around the already tied hair (koppu). The performers also know all these Dasanam except the Rommu Darsanam and Dasthavejulu (records).
Question 16:
What is the rommu darsanam or sanku darsanam?
- (A) A darsanam wrapped around the neck
- (B) A darsanam encompassing the chest and the back
- (C) A darsanam fastened to the wrist
- (D) A darsanam affixed to the hair.
Question 17:
Which darasanam is worn around the neck?
- (A) Shiro Darsanam
- (B) Rommu Darsanam
- (C) Kanta Darsanam
- (D) Dasthavejalu
Question 18:
Two Darsanam-s, the third and the fourth, are tied around:
- (A) The neck
- (B) The arms of left and right hands.
- (C) The chest and the back
- (D) The wrists
Question 19:
The Seventh Darsanam, known as Siro Darsanam, is tied around:
- (A) The chest and the back
- (B) The arms
- (C) The already tied hair(Koppu)
- (D) The Wrists
Question 20:
Which term do performers use to define all Darsanam-s except the Rommu Darsanam?
- (A) Vision
- (B) Dasthavejulu
- (C) Kanta Darsanam
- (D) Ornaments
Question 21:
How many qualities does 'NAAD' have?
Question 22:
In Bhatkhande Notation System, writing Ga is to show:
- (A) Komal Gandhar Swar
- (B) Meend on Gandhar Swar
- (C) Kan on Gandhar swar
- (D) To start singing from Ga
Question 23:
Tala has Khali on its first beat in .... taal
- (A) Jhaptal
- (B) Rupak
- (C) Dadra
- (D) Keharwa
Question 24:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (II), (B) - (I), (C) - (III), (D) - (IV)
- (C) (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
- (D) (A) - (IV), (B) - (III), (C) - (II), (D) - (I)
Question 25:
Number of Talis in the theka of Ektaal:
Question 26:
In Hindustani music, "Bada khayal" is sung in...
- (A) Slow tempo
- (B) fast tempo
- (C) Medium tempo
- (D) Very fast tempo
Question 27:
Maseet Khani gat is played in:
- (A) Fast tempo (Drut Laya)
- (B) Slow Tempo (Vilambit Laya)
- (C) Medium Tempo (Madhya Laya)
- (D) Very Fast Tempo (Ati Drut Laya)
Question 28:
Pt. Omkar Nath Thakur was the disciple of:
- (A) Pt. V. N Bhatkhande
- (B) Pt. V. D. Paluskar
- (C) Ustad Allauddin Khan
- (D) Tyagraja
Question 29:
Famous Sitarist Pt. Ravi Shankar was the Disciple of:
- (A) Mushtaq Ali Khan
- (B) Ustad Allah Rakha
- (C) Pt. V. D. Paluskar
- (D) Ustad Allaudin Khan
Question 30:
Harmonium is a....
- (A) Wind Instrument
- (B) String Instrument
- (C) Percussion Instrument
- (D) Metallic Instrument
Question 31:
Which Swara is not used in raga Bhupali?
(A) Re
(B) Ma
(C) Pa
(D) Ni
Choose the correct answer from the options given below:
- (A) (A), and (B)
- (B) (C), and (D)
- (C) (A), and (D)
- (D) (B), and (D)
Question 32:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
- (C) (A) - (IV), (B) - (II), (C) - (I), (D) - (III)
- (D) (A) - (IV), (B) - (III), (C) - (I), (D) - (II)
Question 33:
The most prominent Swara of a raga is
- (A) Anuvadi
- (B) Vivadi
- (C) Samvadi
- (D) Vadi
Question 34:
Select the raga with Suddha Rishabha
- (A) Kalyani
- (B) Sreeranjani
- (C) Mayamalavgaula
- (D) Mohanam
Question 35:
Select the musical instrument that comes under Tantri Vadya (String Instruments)
- (A) Tabla
- (B) Veena
- (C) Flute
- (D) Nagaswaram
Question 36:
Select the Ghana Vadya from the following
- (A) Harmonium
- (B) Mridangam
- (C) Kartal (Manjira)
- (D) Tanpura
Question 37:
Select the Audava raga from the following
- (A) Sreeranjani
- (B) Mohanam
- (C) Sankarabharanam
- (D) Kalyani
Question 38:
Usually, how many Angas a Kriti has?
- (A) Four
- (B) Five
- (C) Three
- (D) Two
Question 39:
How many Matras are there in Roopak tala?
- (A) Eight
- (B) Four
- (C) Seven
- (D) Ten
Question 40:
How many Moorchana existed in total?
- (A) Fifteen
- (B) Twentyone
- (C) Twent four
- (D) Eighteen
Question 41:
Select the Shadava raga from the following
- (A) Mohanam
- (B) Hindolam
- (C) Sreeranjani
- (D) Kalyani
Question 42:
Kshetrayya popularized which form of music?
- (A) Kriti
- (B) Tillana
- (C) Pallavi
- (D) Padam
Question 43:
Select the ragas with Chatushruti Rishabham
- (A) Mohanam
- (B) Hindolam
- (C) Kalyani
- (D) Sreeranjani
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (C) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 44:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (IV), (B) - (III), (C) - (II), (D) - (I)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 45:
Select the correct sequence of the following variety of swara in the increasing order
- (A) Suddha Rishabha
- (B) Prati Madhyama
- (C) Antara Gandhara
- (D) Kaisiki Nishada
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (C), (D)
- (B) (A), (C), (B), (D)
- (C) (B), (A), (D), (C)
- (D) (C), (B), (D), (A)
Question 46:
"dhi na dhi dhi na" bol belongs to:
- (A) Teen Taal
- (B) Dadra
- (C) Jhap Taal
- (D) Ek Taal
Question 47:
Mention the number of Grama :
Question 48:
Mention the time of Malkauns according to Time theory
- (A) Pratah Kaal (Early Morning)
- (B) Sayan Kaal (Evening)
- (C) Madhya Ratri (Mid Night)
- (D) Din Ka dusra pehar (Afternoon)
Question 49:
Which tala was introduced by Tyagaraja?
- (A) Mishra Chapu
- (B) Desadi
- (C) Viloma Chapu
- (D) Simhanandana
Question 50:
Select the Sandhiprakash raga from the following
- (A) Alhaiya Bilawal
- (B) Bageshree
- (C) Bhairav
- (D) Bhupali
Question 51:
Name the ancient Indian treatise of the performing arts which encompasses theater, dance and music?
- (A) Abhinayadarpanam
- (B) Abhinaya Chandrika
- (C) Natyashastra
- (D) Sangeet Ratnakara
Question 52:
What leads to a 'perception' when we talk about 'Rasa'?
- (A) Bhava
- (B) Anubhav
- (C) Sthayi Bhava
- (D) Vibhava
Question 53:
Which of these are Avanaddha Vādyas?
- (A) Mouth Organ
- (B) Khol
- (C) Damru
- (D) Edakka
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (C) only
- (B) (A), (B) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 54:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
- (C) (A) - (III), (B) - (I), (C) - (IV), (D) - (II)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 55:
Which of these are Bharatanatyam Exponents?
- (A) Rukmini Arundel
- (B) Yamini Krishnamurthy
- (C) Ranjana Gauhar
- (D) Saroja Vaidyanathan
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (B) and (C) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 56:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (II), (B) - (I), (C) - (IV), (D) - (III)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 57:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (II), (B) - (I), (C) - (III), (D) - (IV)
- (B) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 58:
'Tamasha' is a folk dance of which state?
- (A) Uttar Pradesh
- (B) Maharashtra
- (C) Madhya Pradesh
- (D) Rajasthan
Question 59:
Which organization organises Shakti festivals of Music, Dance and Drama and celebrate the temple tradition and is held at seven Shakti peeth?
- (A) Rabindra Bharati University
- (B) Nrityagram
- (C) Sangeet Natak Akademi
- (D) Indira Kala Sangeet Vishwavidyalaya
Question 60:
Choose the correct sequence according to the seniority.
- (A) Birju Maharaj
- (B) Achhan Maharaj
- (C) Bindadin Maharaj
- (D) Ishwari Prasad
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (D), (C)
- (B) (A), (B), (C), (D)
- (C) (B), (A), (D), (C)
- (D) (D), (C), (B), (A)
Question 61:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (II), (B) - (I), (C) - (IV), (D) - (III)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 62:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (IV), (B) - (III), (C) - (II), (D) - (I)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 63:
Which text is named the 'Manual of Dance'?
- (A) Natyashatra
- (B) Abhinayachandrika
- (C) Abhinayadarpanam
- (D) Sangeetratnakar
Question 64:
The Saatvika Abhinaya is performed by which means of emotions?
- (A) Sweating
- (B) Garlands
- (C) Tears and Fainting
- (D) Break of voice
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (C) and (D) only
- (B) (A), (B) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 65:
When the face is raised towards the upper direction, it is called...
- (A) Adhomukha
- (B) Alolita
- (C) Dhuta
- (D) Udvahita
Question 66:
Which Mudra or hand gesture used to denote lightning, a creeper, corner of an eye?
- (A) Kapitha
- (B) Kartarimukha
- (C) Pataka
- (D) Ardhapataka
Question 67:
What is the name of the 'Mandalakar' form of dancing in which reference to Lord Krishna?
- (A) Hallisaka
- (B) Kathak
- (C) Raaslila
- (D) Satriya
Question 68:
T. Balasaraswati is an exponent of which dance form?
- (A) Bharatanatyam
- (B) Kuchipudi
- (C) Mohiniyattam
- (D) Manipuri
Question 69:
In Bharatanatyam repertoire followed by Jatiswaram, in which item the melody/syllables is added to the movement?
- (A) Varnam
- (B) Shabdam
- (C) Allaripu
- (D) Tillana
Question 70:
The Oja-Pali dance is from which state?
- (A) Manipur
- (B) Assam
- (C) Nagaland
- (D) Himachal Pradesh
Question 71:
Choose the correct combination.
- (A) Pung cholam
- (B) Nata sankirtan
- (C) Ramlila
- (D) Manipuri
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (B) and (C) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 72:
The Yumjao Paphal symbolizing the god Pankhamba is from the symbolic Yantra of which dance form?
- (A) Mohiniyattam
- (B) Bharatanatyam
- (C) Odissi
- (D) Manipuri
Question 73:
Maharis or Gotipuas are the dancers of which dance form?
- (A) Mohiniyattam
- (B) Odissi
- (C) Bharatanatyam
- (D) Kathak
Question 74:
Karma Dance is the oldest form of folk dance mainly related to the fertility cult. This dance form is performed in which state?
- (A) Madhya Pradesh
- (B) Uttar pradesh
- (C) Jharkhand
- (D) Tamil Nadu
Question 75:
Which type of instrument 'Pung Cholam' is?
- (A) Sushira
- (B) Ghana
- (C) Avanaddha
- (D) Tata
Question 76:
Which term translates as a 'day-time enactment'?
- (A) Yakshaganam
- (B) Kuravanji
- (C) Bhagavatamelam
- (D) Pagati Veysham
Question 77:
An introductory sequence which states the substance of a play is called ....
- (A) Prasthaavana
- (B) Parivekshana
- (C) Paarijaatha
- (D) Padavarna
Question 78:
Choose the correct sequence of the items performed in Bharatanatyam
- (A) Sabdam
- (B) Alaripu
- (C) Tillana
- (D) Varnam
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (B), (A), (D), (C)
- (B) (A), (B), (C), (D)
- (C) (B), (A), (C), (D)
- (D) (C), (B), (D), (A)
Question 79:
Identify the Bharatanatyam dancers
- (A) Shobhanaidu
- (B) T. Balasaraswathi
- (C) C.V. Chandra Shekar
- (D) Ram Gopal
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (B) and (C) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 80:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (C) (A) - (IV), (B) - (II), (C) - (III), (D) - (I)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 81:
How many holes are there in Gajara of tabla ?
- (A) 18
- (B) 16
- (C) 14
- (D) 8
Question 82:
"Dha Kitatak Dhum Kitatak" bol is used for this percussion instruments
- (A) Pakhawaj
- (B) Tabla
- (C) Nakkara
- (D) Dhol
Question 83:
Bolparan and Gatparan are types of
- (A) Tukada
- (B) Uthan
- (C) Kayada
- (D) Paran
Question 84:
This jati was formed by the combination of Tishra and Chaturashra Jati.
- (A) Mishra jati
- (B) Tishra Jati
- (C) Khand Jati
- (D) Sankirna Jati
Question 85:
Who is the Guru of Chhatarpati Singh?
- (A) Zakir Hussain
- (B) Purushotam Das
- (C) Ravi shankar
- (D) Ram Dev
Question 86:
Which symbol is used for Khali in Paluskar tala Notation System.
Question 87:
In which type of Kayada, open and loud sound is used.
- (A) Peshkar
- (B) Anawat Kayada
- (C) Lagginuma Kayada
- (D) Gatkayada
Question 88:
How many parts are there in Tripushkar Vadya?
Question 89:
Mention the type of Baaj in Ajarada Gharana
- (A) Band baaj
- (B) Khula Baaj
- (C) Band and Khula Both
- (D) Hast Baaj
Question 90:
Select the Gharanas with Khula Baaj
- (A) Farukhabad
- (B) Lucknow
- (C) Banaras
- (D) Punjab
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (C) only
- (B) (A), (B) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 91:
Choose the Talas having equal number of matras.
- (A) Teental
- (B) Tilwada
- (C) Panjabi
- (D) Adha
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (C) only
- (B) (A), (B) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 92:
Arrange the following Gharanas in chronological order.
- (A) Banaras
- (B) Farukhabad
- (C) Lucknow
- (D) Punjab
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (C), (D)
- (B) (A), (B), (D), (C)
- (C) (B), (A), (D), (C)
- (D) (C), (B), (D), (A)
Question 93:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (B) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (C) (A) - (I), (B) - (IV), (C) - (II), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (II), (D) - (I)
Question 94:
The left-hand side of the Mridangam is known as
- (A) Toppi
- (B) Chapu
- (C) Arachapu
- (D) Meetu
Question 95:
Which variety of Mridangam is played for female singers
- (A) Kutchi
- (B) Kappi
- (C) Hetchu
- (D) Taggu
Question 96:
Leather straps by which both side of the Mridangam is tighten
- (A) Choru
- (B) Varu
- (C) Kutty
- (D) Kutchi
Question 97:
The number that represents Sankirna jati
- (A) Five
- (B) Seven
- (C) Nine
- (D) Three
Question 98:
The word "Atodya" means
- (A) Musical Instruments
- (B) Folk Dance
- (C) Folk Song
- (D) Music Functions
Question 99:
The total number of Suladi tala
- (A) Twelve
- (B) Fifteen
- (C) Thirteen
- (D) Seven
Question 100:
Which finger is counted after the initial beat in reckoning a Laghu
- (A) Thumb
- (B) Middle Finger
- (C) Little Finger
- (D) Index Finger
Question 101:
Which tempo is considered as fast in Carnatic Tala system
- (A) Druta laya
- (B) Madhya Laya
- (C) Vilamba Laya
- (D) Ati Vilamba
Question 102:
Which part of Mridangam produces bass sound
- (A) Chapu
- (B) Meetu
- (C) Toppi
- (D) Arachapu
Question 103:
Arrange the following in the decreasing order of its Akshara
- (A) Sankeerna
- (B) Chaturasra
- (C) Mishra
- (D) Khanda
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (C), (D)
- (B) (A), (C), (D), (B)
- (C) (B), (A), (D), (C)
- (D) (C), (B), (D), (A)
Question 104:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (III), (B) - (IV), (C) - (II), (D) - (I)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 105:
Select the talas from the following with equal Akshara
- (A) Chaturasra Jati Mathya
- (B) Tisra Jati Ata Tala
- (C) Sankirna Jati Roopaka Tala
- (D) Mishra Jati Jhampa
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (C) and (D) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 106:
How many times, "Sam" can come in a tala ?
Question 107:
In which category of instruments Tabla belongs ?
- (A) Sushir
- (B) Ghan
- (C) Avanadh
- (D) Tantra
Question 108:
Mridangam playing without any calculations and particular form, but in perfect laya in a Tala
- (A) Koraipu
- (B) Sarvalaghu
- (C) Mohra
- (D) Muktayipu
Question 109:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (II), (C) - (I), (D) - (IV)
Question 110:
Mention the Guru of Palani Subramanya Pillai
- (A) Pudukkotai Dakshinamurty Pillai
- (B) Mamundiya Pillai
- (C) Tanjavur Vaidyanatha Iyer
- (D) Trichi Shankaran
Question 111:
who is the writer of Svapna Vasavdatta?
- (A) Kalidasa
- (B) Bhavbhooti
- (C) Bhasa
- (D) Mohan Rakesh
Question 112:
The Dasha-rupaka or ten forms of dramatic composition, deals with dramatic critic, is the work of
- (A) Harsha
- (B) Dhananjaya
- (C) Acharya Nandikeshwar
- (D) Abhinav Gupt
Question 113:
Lok Dharmi and Natya Dharmi are the types of....
- (A) Dance
- (B) Music
- (C) Folk dance and Drama
- (D) Drama
Question 114:
which play of Ashwagosha deals with two young men who gain the Buddha's favor?
- (A) Sariputra prakarana
- (B) Urubhangam
- (C) Mrichchhakatika
- (D) Adhe Adhoore
Question 115:
Identify folk forms of north India
- (A) Bhand Mirasi, Bhand Pather
- (B) Dasavatara, Burrakatha
- (C) Bhagavatamela, Burrakatha
- (D) Kariyala, Khyal
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (C), (D)
- (B) (A), (C), (B)
- (C) (A), D)
- (D) (C), (D)
Question 116:
P. V. Sambandha Mudaliar is considered as the father of Modern....
- (A) Telugu Theatre
- (B) Kannada Theatre
- (C) Tamil Theatre
- (D) Hindi Theatre
Question 117:
'Sakharam Binder' is a Marathi play written by....
- (A) Mahesh Elkunchwar
- (B) Mohan Aghase
- (C) Vijay Tendulkar
- (D) Satish Alekar
Question 118:
The play Raktakarbi is written by:
- (A) Sambhu Mitra
- (B) Badal Sircar
- (C) Rabindranath Tagore
- (D) Bhartendu Harishchandra
Question 119:
An open-air production of 'Andha Yug' staged against the battlements of a ruined fort in Delhi(purana pila) was directed by......
- (A) Faisal Alkazi
- (B) Bansi Kaul
- (C) Amal Allana
- (D) Ebrahim Alkazi
Question 120:
The plays written by Mohan Rakesh are
- (A) Adhe Adhoore
- (B) Andhya yug
- (C) Lehron Ke Rajhansh
- (D) Khamosh Adalat Jaari hai
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only.
- (B) (A), (B) and (C) only
- (C) (A), (B), (C) and (D)
- (D) (A)and (C) only
Question 121:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (B) (A) - (IV), (B) - (II), (C) - (I), (D) - (III)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 122:
Who is the founder of 'Bahurupi Theater Group' of kolkata?
- (A) Uttpal Dutt
- (B) Sombhu Mitra
- (C) Sharat Chandra
- (D) Bimal Roy
Question 123:
Lucky and Pojo are the characters who belong to the play.....
- (A) An Enemy of the People
- (B) Waiting for Godot
- (C) Death of a salesman
- (D) The Caucasion Chalk Circle
Question 124:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (II), (B) - (IV), (C) - (III), (D) - (I)
- (B) (A) - (I), (B) - (III), (C) - (II), (D) - (IV)
- (C) (A) - (IV), (B) - (III), (C) - (II), (D) - (I)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 125:
who has proposed The Theory of 'V' effect?
- (A) Mayerhold
- (B) Peter Brook
- (C) Bertolt Brecht
- (D) Lee Strasberg
Question 126:
What is the full form of NCZCC?
- (A) National Central Zone cultural centre
- (B) National Center Zone for Cultural Creativity
- (C) North Central Zone Cultural Center
- (D) National Center for Zonal Cultural Creation
Question 127:
Who is the present Director (2025) of Sangeet Natak Akademi, New Delhi?
- (A) Dr. Sandhya Purecha
- (B) Paresh Rawal
- (C) Dr. Devendra Raj Ankur
- (D) Joravar Singh Jadav
Question 128:
'Bharat Rang Mahotsav' started in the year of ...
- (A) 1994
- (B) 1999
- (C) 2002
- (D) 1997
Question 129:
Who is regarded as the first of the great tragedians in Greek theater?
- (A) Sophocles
- (B) Aeschylus
- (C) Euripedese
- (D) Aritophance
Question 130:
The play 'Medea' is written by...
- (A) Terance
- (B) Menander
- (C) Euripides
- (D) Sophocles
Question 131:
The play 'Merchant of Venice' was written by...
- (A) Ben Jonson
- (B) Arthur Miller
- (C) William Shakespeare
- (D) Anton Chekhov
Question 132:
Stage Left, Stage Right, Down Stage, and Upstage are the terms used from the point of ...
- (A) Producer
- (B) Audience
- (C) Director
- (D) Actor
Question 133:
What is primarily every make-up artist should focus on before applying beauty make-up on the subject?
- (A) Movement of the head
- (B) Blending and proportion
- (C) Good Make-up Product
- (D) Skin Tone of the subject
Question 134:
According to Natyashastra, Ranga-bhumi and Ranga mandala means...
- (A) Stage and Nepathya
- (B) Nepathya and Rangsala
- (C) Rangsala and Preksagrah
- (D) Stage and Mattavarini
Question 135:
According to Bharata, the three shapes (Sannivesa) of a theater house have been fixed by
- (A) Sage Narad
- (B) Vishwakarman
- (C) Bharata's Desicples
- (D) Sage Narad and Vishvakarman
Question 136:
Match List-I with List-II
![]()
Choose the correct answer from the options given below:
- (A) (A) - (II), (B) - (III), (C) - (IV), (D) - (I)
- (B) (A) - (I), (B) - (II), (C) - (III), (D) - (IV)
- (C) (A) - (I), (B) - (II), (C) - (IV), (D) - (III)
- (D) (A) - (III), (B) - (IV), (C) - (I), (D) - (II)
Question 137:
The plays written by Girish Karnad are....
- (A) Tuglak
- (B) Yayati
- (C) Nagamandala
- (D) Hayavadana
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B) and (D) only
- (B) (A), (B) and (C) only
- (C) (A), (B), (C) and (D)
- (D) (B), (C) and (D) only
Question 138:
Who is the most notable and celebrated 20th century Russian dramatist?
- (A) Shakespeare
- (B) Michael Chekhov
- (C) Anton Chekhov
- (D) Stanislavsky
Question 139:
The sequence of making a performance is
- (A) Public performance
- (B) Technical run-through
- (C) Blocking
- (D) Rehearsals
\(\textbf{Choose the correct answer from the options given below:}\)
- (A) (A), (B), (C), (D)
- (B) (D), (B), (C), (A)
- (C) (B), (A), (D), (C)
- (D) (C), (D), (B), (A)
Question 140:
Who has written the play 'The King of the Dark Chamber' (Raja)?
- (A) Mahesh Elkunchwar
- (B) Satish Alekar
- (C) Rabindranath Tagore
- (D) Mahesh Dattani
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