CAT 2024 Slot 1 VARC Question Paper with Solutions is provided below. It was conducted on 24th November 2024 from 8:30 AM to 10:30 AM. Based on student feedback, 80% of test-takers found CAT 2024 Slot 1 VARC to be of moderate difficulty, with 70% of questions on Reading Comprehension covering topics like economics, philosophy, and abstract ideas.
CAT 2024 Slot 1 VARC Question Paper with Solutions PDF
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CAT 2024 Slot 1 VARC Questions with Solutions
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The news seemed like vindication to those who had long warned that streaming was more about controlling access to the cultural commons than expanding it, as did reports (since denied by the show’s creators) that Netflix had begun editing old episodes of Stranger Things to retroactively improve their visual effects. What’s less clear is whether the commonly prescribed cure for these cultural ills – a return to the material pleasures of physical media – is the right one. While the makers of Blu-ray discs claim they have a shelf life of 100 years, such statistics remain largely theoretical until they come to pass, and are dependent on storage conditions, not to mention the continued availability of playback equipment. The humble DVD has already proved far less resilient, with many early releases already beginning to deteriorate in quality. Digital movie purchases provide even less security. Any film “bought” on iTunes could disappear if you move to another territory with a different rights agreement and try to redownload it. It’s a bold new frontier in the commodification of art: the birth of the product recall. After a man took to Twitter to bemoan losing access to Cars 2 after moving from Canada to Australia, Apple clarified that users who downloaded films to their devices would retain permanent access to those downloads, even if they relocated to a hemisphere where the [content was] subject to a different set of rights agreements. Thanks to the company’s ironclad digital rights management technology, however, such files cannot be moved or backed up, locking you into watching with your Apple account. Anyone who does manage to acquire Digital Rights Management free (DRM-free) copies of their favourite films must nonetheless grapple with ever-changing file format standards, not to mention data decay – the gradual process by which electronic information slowly but surely corrupts. Only the regular migration of files from hard drive to hard drive can delay the inevitable, in a sisyphean battle against the ravages of digital time. In a sense, none of this is new. Charlie Chaplin burned the negative of his 1926 film A Woman of the Sea as a tax write-off. Many more films have been lost through accident, negligence or plain indifference. During a heatwave in July 1937, a Fox film vault in New Jersey burned down, destroying a majority of the silent films produced by the studio. Back then, at least, cinema was defined by its ephemerality: the sense that a film was as good as gone once it left your local cinema. Today, with film studios keen to stress the breadth of their back catalogues (or to put in Hollywood terms, the value of their 1 IPs), audiences may start to wonder why those same studios seem happy to set the vault alight themselves if it’ll help next quarter’s numbers.
Question 1:
Which one of the following statements about art best captures the arguments made in the passage?
Question 2:
“Netflix had begun editing old episodes of Stranger Things to retroactively improve their visual effects.” What is the purpose of this example used in the passage?
Question 3:
Which one of the following statements, if true, would best invalidate the main argument of the passage?
Question 4:
Which of the following statements is suggested by the sentence “Back then, at least, cinema was defined by its ephemerality: the sense that a film was as good as gone once it left your local cinema”?
Question 5:
Five jumbled up sentences (labelled 1, 2, 3, 4 and 5), related to a topic, are given below. Four of them can be put together to form a coherent paragraph. Identify the odd sentence and key in the number of that sentence as your answer.
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The concept of craft emphasises the human touch and individual judgment. Essentially, the crafts concept seems to run against the preponderant ethos of management studies which, as the academics note, have long prioritised efficiency and consistency. Craft skills were portrayed as being primitive and traditionalist. The contrast between artisanship and efficiency first came to the fore in the 19th century when British manufacturers suddenly faced competition from across the Atlantic as firms developed the “American system” using standardised parts. the worldwide success of the Singer sewing machine showed the potential of a mass-produced device. This process created its own reaction, first in the form of the Arts and Crafts movement of the late 19th century, and then again in the “small is beautiful” movement of the 1970s. A third crafts movement is emerging as people become aware of the environmental impact of conventional industry. There are two potential markets for those who practise crafts. The first stems from the existence of consumers who are willing to pay a premium price for goods that are deemed to be of extra quality.The second market lies in those consumers who wish to use their purchases to support local workers, or to reduce their environmental impact by taking goods to craftspeople to be mended, or recycled. For workers, the appeal of craftsmanship is that it allows them the autonomy to make creative choices, and thus makes a job far more satisfying. In that 5 sense, it could offer hope for the overall labour market. Let the machines automate dull and repetitive tasks and let workers focus purely on their skills, judgment and imagination. As a current example, the academics cite the “agile” manifesto in the software sector, an industry at the heart of technological change. The pioneers behind the original agile manifesto promised to prioritise “individuals and interactions over processes and tools”. By bringing together experts from different teams, agile working is designed to improve creativity. But the broader question is whether crafts can create a lot more jobs than they do today. Demand for crafted products may rise but will it be easy to retrain workers in sectors that might get automated (such as truck drivers) to take advantage? In a world where products and services often have to pass through regulatory hoops, large companies will usually have the advantage. History also suggests that the link between crafts and creativity is not automatic. Medieval craft guilds were monopolies which resisted new entrants. They were also highly hierarchical with young men required to spend long periods as apprentices and journeymen before they could set up on their own; by that time the innovative spirit may have been knocked out of them. Craft workers can thrive in the modern era, but only if they don’t get too organised.
Question 6:
The author questions the ability of crafts to create substantial employment opportunities presently because
Question 7:
We can infer from the passage that medieval crafts guilds resembled mass production in that both
Question 8:
The most recent revival in interest in the crafts is a result of the emergence of all of the following EXCEPT:
Question 9:
Which one of the following statements is NOT inconsistent with the views stated in the passage?
Question 10:
The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Scientific research shows that many animals are very intelligent and have sensory and motor abilities that dwarf ours. Dogs are able to detect diseases such as cancer and diabetes and warn humans of impending heart attacks and strokes. Elephants, whales, hippopotamuses, giraffes, and alligators use low-frequency sounds to communicate over long distances, often miles. Many animals also display wide-ranging emotions, including joy, happiness, empathy, compassion, grief, and even resentment and embarrassment. It’s not surprising that animals share many emotions with us because we also share brain structures, located in the limbic system, that are the seat of our emotions.
Question 11:
There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Understanding central Asia’s role helps developments make more sense not only across Asia but in Europe, the Americas and Africa.
Paragraph: The nations of the Silk Roads are sometimes called ‘developing countries’, but they are actually some of the world’s most highly developed countries, the very crossroads of civilization, in advanced states of disrepair. (1) . These countries lie at the centre of global affairs: they have since the beginning of history. Running across the spine of Asia, they form a web of connections fanning out in every direction, routes along which pilgrims and warriors, nomads and merchants have travelled, goods and produce have been bought and sold, and ideas exchanged, adapted and refined. (2). They have carried not only prosperity, but also death and violence, disease and disaster. (3). The Silk Roads are the world’s central nervous system, connecting otherwise far-flung peoples and places.... (4). It allows us to see patterns and links, causes and effects that remain invisible if one looks only at Europe, or North America.
Question 12:
The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Cartographers design and create maps to communicate information about phenomena located somewhere on our planet. In the past, cartographers did not worry too much about who was going to read their maps. Although some simple “usability” research was done—like comparing whether circle or bar symbols worked best—cartographers knew how to make maps. This has changed now, however, due to all kinds of societal and technological developments. Today, map readers are more demanding—mostly because of the tools they use to read maps. Cartographers, who are also influenced by these trends, are now more interested in seeing if their products are efficient, effective, and appreciated.
Question 13:
There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: The brain isn’t organized the way you might set up your home office or bathroom medicine cabinet.
Paragraph: ___(1)___ . You can’t just put things anywhere you want to. The evolved architecture of the brain is haphazard and disjointed, and incorporates multiple systems, each of which has a mind of its own.___ (2)___ . Evolution doesn’t design things and it doesn’t build systems—it settles on systems that, historically, conveyed a survival benefit. There is no overarching, grand planner engineering the systems so that they work harmoniously together. __(3)__ . The brain is more like a big, old house with piecemeal renovations done on every floor, and less like new construction. ___(4)__ .
Question 14:
There is a sentence that is missing in the paragraph below. Look at the paragraph and decide where (option 1, 2, 3, or 4) the following sentence would best fit.
Sentence: Comprehending a wide range of emotions, Renaissance music nevertheless portrayed all emotions in a balanced and moderate fashion.
Paragraph: A volume of translated Italian madrigals were published in London during the year of 1588. This sudden public interest facilitated a surge of English Madrigal writing as well as a spurt of other secular music writing and publication. (1) . This music boom lasted for thirty years and was as much a golden age of music as British literature was with Shakespeare and Queen Elizabeth I. (2) . The rebirth in both literature and music originated in Italy and migrated to England; the English madrigal became more humorous and lighter in England as compared to Italy. Renaissance music was mostly polyphonic in texture. (3) . Extreme use of and contrasts in dynamics, rhythm, and tone colour do not occur. (4) . The rhythms in Renaissance music tend to have a smooth, soft flow instead of a sharp, well-defined pulse of accents.
Question 15:
We can infer from the passage that the term “homo economicus” refers to someone who
Question 16:
“Times have changed for the once almighty discipline.” We can infer from this statement and the associated paragraph that the author is being
Question 17:
In the first paragraph, the author is making the point that the economists like Becker
Question 19:
Five jumbled up sentences (labelled 1, 2, 3, 4, and 5), related to a topic, are given below. Four of them can be put together to form a coherent paragraph. Identify the odd sentence and key in the number of that sentence as your answer.
Question 20:
The passage given below is followed by four alternate summaries. Choose the option that best captures the essence of the passage.
Certain codes may, of course, be so widely distributed in a specific language community or culture, and be learned at so early an age, that they appear not to be constructed– the effect of an articulation between sign and referent– but to be ‘naturally’ given. Simple visual signs appear to have achieved a ‘near-universality’ in this sense: though evidence remains that even apparently ‘natural’ visual codes are culture specific. However, this does not mean that no codes have intervened; rather, that the codes have been profoundly naturalized. The operation of naturalized codes reveals not the transparency and ‘naturalness’ of language but the depth, the habituation and the near-universality of the codes in use. They produce apparently ‘natural’ recognitions. This has the (ideological) effect of concealing the practices of coding which are present.
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Silly-looking or not, though, the zebra rat—the smallest bandicoot, more commonly known today as the western barred bandicoot—exhibited a genius for survival in the harsh outback, where its ancestors had persisted for some 26 million years. Its births were triggered by rainfall in the bone-dry desert. It carried its breath-mint-size babies in 14 a backward-facing pouch so mothers could forage for food and dig shallow, camouflaged shelters. Still, these adaptations did not prepare the western barred bandicoot for the colonialera transformation of its ecosystem, particularly the onslaught of imported British animals, from cattle and rabbits that damaged delicate desert vegetation to ravenous house cats that soon developed a taste for bandicoots. Several of the dozen-odd bandicoot species went extinct, and by the 1940s the western barred bandicoot, whose original range stretched across much of the continent, persisted only on two predator-free islands in Shark Bay, off Australia’s western coast. “Our isolated fauna had simply not been exposed to these predators,” says Reece Pedler, an ecologist with the Wild Deserts conservation program. Now Wild Deserts is using descendants of those few thousand island survivors, called Shark Bay bandicoots, in a new effort to seed a mainland bandicoot revival. They’ve imported 20 bandicoots to a preserve on the edge of the Strzelecki Desert, in the remote interior of New South Wales. This sanctuary is a challenging place, desolate much of the year, with one of the world’s most mercurial rainfall patterns—relentless droughts followed by sudden drenching floods. The imported bandicoots occupy two fenced “exclosures,” cleared of invasive rabbits (courtesy of Pedler’s sheepdog) and of feral cats (which slunk off once the rabbits disappeared). A third fenced area contains the program’s Wild Training Zone, where two other rare marsupials (bilbies, a larger type of bandicoot, and mulgaras, a somewhat fearsome fuzzball known for sucking the brains out of prey) currently share terrain with controlled numbers of cats, learning to evade them. It’s unclear whether the Shark Bay bandicoots, which are perhaps even more predator-naive than their now-extinct mainland bandicoot kin, will be able to make that kind of breakthrough. For now, though, a recent surge of rainfall has led to a bandicoot joey boom, raising the Wild Deserts population to about 100, with other sanctuaries adding to that number. There are also signs of rebirth in the landscape itself. With their constant digging, the bandicoots trap moisture and allow for seed germination so the cattle-damaged desert can restore itself. They have a new nickname—a flattering one, this time. “We call them ecosystem engineers,” Pedler says.
Question 21:
Which one of the following options does NOT represent the characteristics of the western barred bandicoot?
Question 22:
The text uses the word ‘exclosures’ because Wild Deserts has adopted a measure of
Question 24:
According to the text, the western barred bandicoots now have a flattering name because they have
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